Figurative ceramic vessel · Cucuteni Neolithic motifs · Goddess

Hand-built ceramic vessel of Neolithic inspiration made by artisans in the southern plains of Romania. A wide, round body is rising into a modelled human face with closed eyes and pierced ears. Left unpainted in the natural tone of the fired clay, the piece follows a vessel type documented across Gumelnița culture- one of Europe's earliest ceramic traditions. For decorative display.

The Craft. This figurative piece is shaped by hand, without a potter's wheel, using the traditional coil technique, through which a face raised directly out of the rim as the clay is built up, so the details have to be worked while the form is still wet enough to shape but firm enough to hold. The process demands patience, precision, and a deep understanding of the material. Decoration is done by incision, with fine cut lines and dots, rather than painting, after which the entire surface is burnished with smooth river stone to create a natural, glossy shine. The piece is then fired in a kiln for about ten hours at low temperature.

The Heritage. The Neolithic Gumelnița culture flourished within a wider cultural complex (Gumelnița-Kodjadermen-Karanovo VI) that stretched from the Carpathians to the Aegean. These skilled communities produced finely made pottery decorated with incision, relief and graphite painting, alongside a distinct body of figurative art. Fertility appears to have sat at the centre of Gumelnița spiritual life, with recuring pregnant female figurines generally read as cult objects tied to a mother-goddess belief.

The Maker. From their home workshop in southern Romania, Nicoleta and Ion Mitroi work with dedication towards the revival of a ceramics style lost in history. A trained engineer, Nicoleta changed course when she first encountered Cucuteni-Trypillia pottery in a museum and fell under the spell of its raw beauty and symbolic charge. Her husband Ion, a graduate of the ceramics department at the National University of Arts in Bucharest, also embraced the style and together they have been shaping, now for decades, every piece without a wheel, working either as faithful replicas of excavated vessels or as personal interpretations of the same visual language. Beyond the workshop, they run demonstration classes, summer workshops, and traditional-craft circles in museums and schools, making the Cucuteni-Trypillia and Gumelnița heritage visible to a wider public.