{"title":"Lampes","description":"","products":[{"product_id":"glazed-ceramic-lamp-base-leaf-relief","title":"Pied de lampe en céramique · Fayoum · Ivoire","description":"\u003cp class=\"Normal tm5\"\u003e \u003cem\u003e\u003cspan class=\"tm6\"\u003ePied de lampe sculptural en céramique orné d'empreintes de feuilles blanches en relief sur une argile terracotta chaude avec un émail crème lisse sur le col — une pièce tactile qui allie l'artisanat traditionnel du Fayoum à un élément de décoration intérieure fonctionnel.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp class=\"Normal tm5\"\u003e\u003cspan class=\"tm7\"\u003e\u003c\/span\u003eDans les années 80, la vie du village agricole de Tunis, dans l'oasis du Fayoum \u003cstrong\u003e\u003cspan class=\"tm8\"\u003e,\u003c\/span\u003e\u003c\/strong\u003e \u003cspan class=\"tm7\"\u003ea connu un tournant décisif lorsque la potière suisse Evelyne Porret a décidé de s'y installer. Très vite, Evelyne et son mari, Michel Pastore, ont ouvert l'École de Poterie du Fayoum, encourageant les enfants du village à développer leur créativité et à emprunter une voie différente de celles que l'oasis leur offrait jusqu'alors. Aujourd'hui, ces enfants, ainsi que d'autres formés par l'école, s'épanouissent et ont ouvert leurs propres ateliers, témoignant d'un véritable talent artistique et d'une profonde admiration pour leur mentor.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"Normal tm5\"\u003e\u003cspan class=\"tm7\"\u003eBien que la poterie fût déjà répandue en Égypte à l'époque pharaonique, la baisse de la demande au fil des siècles avait entraîné sa quasi-disparition. Evelyne et Michel ont fait revivre d'anciennes techniques et ont inspiré les enfants de Tunis, leur permettant de donner vie à leur créativité. L'argile de la vallée du Nil à Assouan et des colorants naturels créent désormais des scènes vibrantes où palmiers, oiseaux et personnages sont immortalisés par l'émail. Des émaux spéciaux et même la technique japonaise \u003cem\u003edu raku\u003c\/em\u003e se répandent de plus en plus parmi les artisans du Fayoum.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"Normal tm5\"\u003e\u003cspan class=\"tm6\"\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan class=\"tm7\"\u003eArtisan.\u003c\/span\u003e\u003c\/strong\u003e \u003cspan class=\"tm6\"\u003eAbd el-Sattar fut l'élève d'Evelyne Porret et parmi les premiers à ouvrir son propre atelier. Passionné par l'apprentissage et fasciné par les possibilités infinies de la céramique, il n'a cessé d'expérimenter de nouvelles techniques et de nouveaux matériaux. Les reflets métalliques et les finitions raku comptent parmi ses préférées, mais sa quête de nouveauté et d'originalité demeure intacte. Il travaille dans son atelier avec son frère Saleem, qui a développé un style bien à lui, et son fils Abduh, désireux d'apprendre le métier auprès de son père.\u003c\/span\u003e\u003c\/p\u003e","brand":"Handmade in Egypt","offers":[{"title":"Default Title","offer_id":51724789383434,"sku":null,"price":88.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/1013\/1978\/files\/abdelsattar_lamp_10.jpg?v=1790423350"},{"product_id":"ikat-lampshade-silk-green-blue","title":"Ikat Pleated Lampshade · Silk · Green \u0026 Blue","description":"\u003cp\u003e\u003cem\u003eA pleated lampshade cut from silk ikat woven using abrbandi, the UNESCO-listed Intangible Cultural Heritage resist-dyeing technique where the yarns carry the design before the cloth is woven on a traditional eight-pedal loom, yielding a blurred, migrating pattern in green, blue and ivory. Made with natural colours, in Margilan, Uzbekistan, by master dyer Aziz Murtazaev, whose work carries the UNESCO Seal of Excellence. Hand-pleated onto the frame, the fabric's soft-edged motifs catch the light differently at every fold.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Craft. \u003c\/strong\u003eThe pattern on this lampshade begins with abrbandi – the resist-dyeing technique behind Uzbek silk ikat. From abr (cloud), abrbandi is said to have been born when a master dyer, watching clouds break apart on the surface of still water, tried to bind that fractured, drifting edge into thread. Before weaving, sections of silk thread are bound tightly by hand with fibre that resists dye. Where the binding holds, the thread stays undyed; where it doesn't, colour penetrates. Once the bindings are removed and the thread dyed, the pattern already exists in the yarn – it only becomes visible once the threads are stretched and woven on the loom. The woven cloth was flawlessly pleated by hand around the shade's frame in Romania, following the technique that became so popular in Europe during the 60s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Heritage. \u003c\/strong\u003eSilk has moved through the oasis cities of now Uzbekistan for the better part of two thousand years. Legend holds that the first cocoons reached the Fergana Valley hidden inside the hollow staves of travelling monks, smuggled out of a China that fiercely guarded the secret of silk. By the tenth century, Margilan was already written of as a city of silk, and its weavers were sending khan-atlas – a shot silk prized for the way its colours shift with the light – down the caravan routes to Baghdad, Kashgar, Egypt and beyond. The prestigious ikat fabrics became fashionable in the 19th century, when the designs turned vibrant and elaborate, and new weave structures, like satin and velvet, were introduced. In 2017 UNESCO inscribed Uzbekistan's abr silk-making on its list of Intangible Cultural Heritage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Maker.\u003c\/strong\u003e Born in Margilan, Aziz Murtazaev did not train in a family workshop, but studied languages and business. He worked for a time in finance in London, and went back to Margilan for reasons closer to the dye vats than the ledger. It is colour that holds him. He works with what the valley grows and has brought back methods Margilan had mostly set down, like block printing by hand. Aziz leads Marikat, a cooperative of independent ikat masters, dyers and weavers dedicated to the preservation of traditional craftsmanship and cultural values, and their transfer to the next generation. Aziz's work carries the UNESCO Seal of Excellence for Handicraft Products.\u003c\/p\u003e","brand":"Handmade in Uzbekistan","offers":[{"title":"Default Title","offer_id":53779005997322,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/1013\/1978\/files\/IKAT_Silk_Lampshade_Green_and_Ivory_01.jpg?v=1792332279"},{"product_id":"ikat-lampshade-silk-red-blue","title":"Ikat Pleated Lampshade · Silk · Red \u0026 Blue","description":"\u003cp\u003e\u003cem\u003eA pleated lampshade cut from silk ikat woven using abrbandi, the UNESCO-listed Intangible Cultural Heritage resist-dyeing technique where the yarns carry the design before the cloth is woven on a traditional eight-pedal loom, yielding a blurred, migrating pattern in red, blue and ivory. Hand-pleated onto the frame, the fabric's soft-edged motifs catch the light differently at every fold.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Craft.\u003c\/strong\u003e The pattern on this lampshade begins with abrbandi – the resist-dyeing technique behind Uzbek silk ikat. From abr (cloud), abrbandi is said to have been born when a master dyer, watching clouds break apart on the surface of still water, tried to bind that fractured, drifting edge into thread. Before weaving, sections of silk thread are bound tightly by hand with fibre that resists dye. Where the binding holds, the thread stays undyed; where it doesn't, colour penetrates. Once the bindings are removed and the thread dyed, the pattern already exists in the yarn – it only becomes visible once the threads are stretched and woven on the loom. The woven cloth was flawlessly pleated by hand around the shade's frame in Romania, following the technique that became so popular in Europe during the 60s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Heritage. \u003c\/strong\u003eSilk has moved through the oasis cities of now Uzbekistan for the better part of two thousand years. Legend holds that the first cocoons reached the Fergana Valley hidden inside the hollow staves of travelling monks, smuggled out of a China that fiercely guarded the secret of silk. By the tenth century, Margilan was already written of as a city of silk, and its weavers were sending khan-atlas – a shot silk prized for the way its colours shift with the light – down the caravan routes to Baghdad, Kashgar, Egypt and beyond. The prestigious ikat fabrics became fashionable in the 19th century, when the designs turned vibrant and elaborate, and new weave structures, like satin and velvet, were introduced. In 2017 UNESCO inscribed Uzbekistan's abr silk-making on its list of Intangible Cultural Heritage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Maker.\u003c\/strong\u003e Made by artisans in Margilan, Uzbekistan. Ikat production is rarely the work of one named artisan – a length of cloth passes through binders, dyers and weavers in turn, each a specialist in a single stage.\u003c\/p\u003e","brand":"Handmade in Uzbekistan","offers":[{"title":"Default Title","offer_id":53779018416394,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/1013\/1978\/files\/IKAT_Silk_Lampshade_Red_and_Blue_00.jpg?v=1792332532"},{"product_id":"ikat-drum-lampshade-adras-blue-black","title":"Ikat Drum Lampshade · Adras · Blue \u0026 Black","description":"\u003cp\u003e\u003cem\u003eA drum lampshade cut from adras, a silk-and-cotton ikat woven using abrbandi, the UNESCO-listed Intangible Cultural Heritage resist-dyeing technique where the yarns carry the design before the cloth is woven on a traditional loom. The pattern reads as a mirrored, cloud-like form in blue, grey, black and ivory, its soft edges typical of hand-bound thread. Made with natural colours in Margilan, Uzbekistan, by master dyer Aziz Murtazaev, whose work carries the UNESCO Seal of Excellence.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Craft.\u003c\/strong\u003e The pattern on this lampshade begins with abrbandi – the resist-dyeing technique behind Uzbek ikat. From abr (cloud), abrbandi is said to have been born when a master dyer, watching clouds break apart on the surface of still water, tried to bind that fractured, drifting edge into thread. Before weaving, sections of thread are bound tightly by hand with fibre that resists dye; where the binding holds, the thread stays undyed, and where it doesn't, colour penetrates. This piece is woven as adras – a fabric that pairs a silk warp with a cotton weft, giving it more body and a slightly more matte hand than pure silk ikat, while still carrying the same blurred, migrating pattern in the weave. Once dyed and woven, the cloth is cut and seamed flat around the shade's cylindrical frame, the panel joined at the back so the design meets itself in a mirrored repeat around the drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Heritage.\u003c\/strong\u003e Silk has moved through the oasis cities of now Uzbekistan for the better part of two thousand years. Legend holds that the first cocoons reached the Fergana Valley hidden inside the hollow staves of travelling monks, smuggled out of a China that fiercely guarded the secret of silk. By the tenth century, Margilan was already written of as a city of silk, and its weavers were sending fabric down the caravan routes to Baghdad, Kashgar, Egypt and beyond. Adras itself developed as a more affordable, everyday counterpart to pure silk atlas – the cotton weft made it sturdier and better suited to daily wear, without giving up the ikat pattern that made the fabric recognisable. In 2017 UNESCO inscribed Uzbekistan's abr silk-making on its list of Intangible Cultural Heritage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Maker. \u003c\/strong\u003eBorn in Margilan, Aziz Murtazaev did not train in a family workshop, but studied languages and business. He worked for a time in finance in London, and went back to Margilan for reasons closer to the dye vats than the ledger. It is colour that holds him. He works with what the valley grows and has brought back methods Margilan had mostly set down, like block printing by hand. Aziz leads Marikat, a cooperative of independent ikat masters, dyers and weavers dedicated to the preservation of traditional craftsmanship and cultural values, and their transfer to the next generation. Aziz's work carries the UNESCO Seal of Excellence for Handicraft Products.\u003c\/p\u003e","brand":"Handmade in Uzbekistan","offers":[{"title":"Default Title","offer_id":53779155583242,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/1013\/1978\/files\/IKAT_Lampshades_copyY.jpg?v=1792331976"},{"product_id":"ikat-drum-lampshade-adras-pink-red","title":"Ikat Drum Lampshade · Adras · Pink \u0026 red","description":"\u003cp\u003e\u003cem\u003eA drum lampshade cut from adras, a silk-and-cotton ikat woven using abrbandi, the UNESCO-listed Intangible Cultural Heritage resist-dyeing technique where the yarns carry the design before the cloth is woven on a traditional loom, yielding a blurred, migrating pattern in pink, red, ivory and black. Made with natural colours in Margilan, Uzbekistan, by master dyer Aziz Murtazaev, whose work carries the UNESCO Seal of Excellence.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Craft. \u003c\/strong\u003eThe pattern on this lampshade begins with abrbandi – the resist-dyeing technique behind Uzbek ikat. From abr (cloud), abrbandi is said to have been born when a master dyer, watching clouds break apart on the surface of still water, tried to bind that fractured, drifting edge into thread. Before weaving, sections of thread are bound tightly by hand with fibre that resists dye; where the binding holds, the thread stays undyed, and where it doesn't, colour penetrates. This piece is woven as adras – a fabric that pairs a silk warp with a cotton weft, giving it more body and a slightly more matte hand than pure silk ikat, while still carrying the same blurred, migrating pattern in the weave. Once dyed and woven, the cloth is cut and seamed flat around the shade's cylindrical frame, the panel joined at the back so the design meets itself in a mirrored repeat around the drum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Heritage.\u003c\/strong\u003e Silk has moved through the oasis cities of now Uzbekistan for the better part of two thousand years. Legend holds that the first cocoons reached the Fergana Valley hidden inside the hollow staves of travelling monks, smuggled out of a China that fiercely guarded the secret of silk. By the tenth century, Margilan was already written of as a city of silk, and its weavers were sending fabric down the caravan routes to Baghdad, Kashgar, Egypt and beyond. Adras itself developed as a more affordable, everyday counterpart to pure silk atlas – the cotton weft made it sturdier and better suited to daily wear, without giving up the ikat pattern that made the fabric recognisable. In 2017 UNESCO inscribed Uzbekistan's abr silk-making on its list of Intangible Cultural Heritage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Maker.\u003c\/strong\u003e Born in Margilan, Aziz Murtazaev did not train in a family workshop, but studied languages and business. He worked for a time in finance in London, and went back to Margilan for reasons closer to the dye vats than the ledger. It is colour that holds him. He works with what the valley grows and has brought back methods Margilan had mostly set down, like block printing by hand. Aziz leads Marikat, a cooperative of independent ikat masters, dyers and weavers dedicated to the preservation of traditional craftsmanship and cultural values, and their transfer to the next generation. Aziz's work carries the UNESCO Seal of Excellence for Handicraft Products.\u003c\/p\u003e","brand":"Handmade in Uzbekistan","offers":[{"title":"Default Title","offer_id":53779176915210,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/1013\/1978\/files\/IKAT_Drum_Lampshade_Pink_Red_00.jpg?v=1792332633"}],"url":"https:\/\/omagoshop.eu\/fr\/collections\/lamps-and-lampshades.oembed","provider":"OMAĜO","version":"1.0","type":"link"}